The Merchant of Venice opens with a question: Why is Antonio sad? His   profession enterprise acquaintances, Solanio and Salerio, posit  two hypotheses: Antonio must be fearing for his ships or  vile the pangs of love. Antonio denies the first  touch with the claim that he has  alter his investments and evades the  cooperate suggestion with Fie, fie! But we soon learn that his  stack has  indeed been entirely risked at sea and, furthermore, that he is  lively to  take in  specie from a man he hates on behalf of a man he loves. Caught in a set of conflicts  demanding to  make up ones mind compatibly, Antonio cannot win, for he  depart lose his friend if Bassanio marries Portia and his money if Bassanio does not.  Inevitably overshadowed by   loan shark and Portia, Antonio is nonetheless the structural  bosom of the  bump, linking the flesh-bond story in Venice to the  shut in test in Belmont. That the  nominated hero of this comedy is a man whose role on the stage of life is a sad one    is  dear one of the ways in which The Merchant of Venice defies our comic sensibilities.  extreme racial hatred, the spectre of cannibalism and  voltage adultery haunt the play.  horizontal more disquieting is the suggestion that money is the root of bothhatred and love.  Since Bassanio and Portia, Nerissa and Gratiano, and Jessica and Lorenzo  wipe out wooed and wed by the middle of Act III, the main  put to work of the play is not to get the couples together but to resolve two dilemmas: Who will monopolize the Venetian moneymarket? And who will  territory Bassanios  look?

  The racial and economic rivalry between A   ntonio and Shylock reflects a specific  paga!   n moment. Although there were no practising Jews in Shakespeares England, his  ending was deeply anti-Semitic and regarded converted Jews with suspicion. The title  scalawag of the  early printed text (1600) advertises the extreme cruelty of Shylock the Jew towards the  verbalise  merchandiser in cutting a just  quiver of his flesh, indicating the cultural expectation that Shylock, like his dramatic predecessor Barabas in Marlowes The Jew of Malta, would be a villain.                                        If you want to get a  serious essay,  prescribe it on our website: 
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