Ophelia is very happy Essay

The Nunnery scene in the Gibson version occurs in a thumping open h wholeway or court, Claudius and Polonius observe from a balcony above, giving a delicate suspenseful atmosphere with the thoughts of the crowd wondering if crossroads allow for discover them or whether he knows they are there already. Ophelia is stood clutching some attribute and she tries to be very kind and considerate to critical point, and village seems to be performing unlike towards her, but not nasty or violent at this stage, just a little preoccupied with his emotions and hard to demonstrate his magic trick appetite.Hamlet begins to speak with Ophelia quite strangely, with a very jumpy attitude, grabbing her and thence pushing her away. Ophelia has obvious love for Hamlet yet she fears him because of his unornamented madness. Hamlet sees the shadows of Claudius and Polonius, and suddenly has a more serious, less contactful tone with her. He asks where her father is, and she replies with a lie, t elling him he is at home. This is an obvious spell point for Hamlet as he suddenly becomes quite enraged, and is quite aggressive with Ophelia, pushing her and secure funing loudly, as he makes his exit with an insult, declaringI say, we will have no more marriages. Those that are married already, all but one, s planetary house live the rest shall keep as they are. To me this scene is very successful in impartation all four of the characters thoughts, emotions and thumbings for each some other. Hamlet is busy plotting and scheming in his mind, yet becomes emotionally wounded by the fact Ophelia lies to him and betrays him to his enemy. Ophelia is torn surrounded by her father and her love for Hamlet, and when he tries to order of battle his antic disposition to her, with the tense atmosphere increasing it becomes very unvarnished that she is doubting whether he loves her at all anymore.Claudius and Polonius both show slight emotion on their faces, seeming surprised at some of Hamlets strange and slightly insane reactions to Ophelia. In the Brannagh version, the scene takes place directly afterward the soliloquy as Shakespeare intended, and there are very high emotions between the two who obviously love each other strongly, with more than bosom and kissing to start with. Also the atmosphere from the soliloquy scene is calm in the air. Ophelia is very happy, and Claudius and Polonius observe from behind a reflect, quite inanimately. in that respect is an obvious turn in Hamlets behaviour when she offers him the gifts back.He slaps them to the floor and begins to sh aside at her, then quite violently grabs her and drags her over to the mirrors in the hall where he one by one starts opening them tonusing for a spy, ranting and raving in quite an insane mankindner. He gets to the mirror where Claudius and Polonius are sat and presses Ophelia against it, and the audition are left unaware as to if Hamlet is aware of their presence or simply a mist rust or is completely oblivious, either way the mirror plays a billet in this, Hamlet pressing her against it shows he is trying to make her look at herself and at her life, as he has been doing.He finishes his rant, then military issue through the mirror to an empty room as Claudius and Polonius have already fled. This scene also has a lot of tension, with quick flying emotions and sudden changes of attitude toward one another. It is successful at showing Hamlets antic disposition to the audience, and makes Claudius and Polonius aware of his state. Also, it is apparent that Ophelia begins to doubt whether Hamlet really loves her or not, and allows the audience to really feel the raw emotions felt by each of the characters. In the Hawke version the scene takes place in Hamlets apartment, where Ophelia sits at a plug-in with some gifts.They talk quite unemotionally in a displace back manner, Hamlet offers her a beer e. t. c. They begin to talk and they get quite emotional, or lust ful, and begin kissing and groping in a sexual manner, and Hamlet opens her top and finds a wire which Ophelia seemed to have forgotten around in the heat and passion of the moment. Hamlet is angered and begins to shout, Ophelia is evidently distressed, Hamlet is quite aware that Claudius and Polonius are listening and shouts down the microphone, making it apparent to the audience that Hamlet feels distraught and betrayed.With his anger there is an obvious disappointment in his feelings as he believes that Ophelia loves him but she lied to him which saddens him greatly. The decision to play out this scene in a modern apartment is an modern idea, and will appeal to a modern audience, but like the other scene it lacks the atmosphere, it leaves out a lot of the raw, heartfelt emotions which are conveyed much better by traditional settings and acting.Also, this version seems to focus on Hamlets depression, kind of than on his humanity and contemplative states of mind, which again w ill relate to a modern audience more, but lacks a lot of his true character. overall I think the three approaches were very well thought out and planned, and the use of language, settings and re-arranging the scenes worked well in all three versions, but overall I am more of a fan of the Zefferelli version, perhaps collect to Gibsons excellent portrayal of Hamlet as an unstable man with too much to deal with, but I felt he could get the emotional value the audience needs to really feel Hamlets character.Brannaghs version also was very successful at conveying the emotional state of hamlet, but somewhat lacked the antic disposition part, which helps make Hamlet. The Hawke version was also very successful, but I feel it was trying to please the modern day audience rather than produce a really good Hamlet play, focusing on a uncheerful point, lacking the insane, raw emotional value the other versions succeeded in conveying.